At Alex Oliver Associates, we use high-quality, handcrafted timber sash windows for our projects.

Why choose timber sash windows?

• Period-accurate detailing for heritage properties

• Sustainable & repairable—unlike uPVC alternatives

• Beautiful proportions that enhance natural light

This country home was built using a mixture of flint, brick and stone to create character and visual appeal.

Flint, which has long been a staple of British vernacular architecture, remains a popular choice for the following reasons:

•  Naturally strong & weather-resistant—ideal for British climates

•  Low-carbon material, sourced directly from local quarries

•  Distinctive visual appeal, especially in contrast with brick & stone

Some of the most elegant homes are built from materials that stand the test of time. Natural stone brings warmth, texture, and durability to a design, and we love incorporating it into our projects.

Bath stone, sourced from a local quarry, was used to create a Doric portico for this classical country house.

Timber sash windows are a defining feature of Britain’s architectural history, from elegant Georgian townhouses to Victorian terraces.

At Alex Oliver Associates, we prioritise high-quality, handcrafted timber sashes to maintain authenticity in restoration projects and traditional-style new builds.

The English country house is a symbol of timeless elegance, and we take great pride in continuing this tradition through thoughtful, well-proportioned designs.

Our work at this house in the South Downs is a modern interpretation of this classic style.

Flint has been a staple of British vernacular architecture for centuries, particularly in the South of England. Whether used in traditional flint-knapped walls or as a striking feature in contemporary builds, this locally sourced, highly durable material adds character and texture.

This Arts and Crafts style home demonstrates the distinctive visual appeal of flint, especially when placed in contrast with brick and stone.

This cottage in Wiltshire is in its final stages, having been transformed from a small outbuilding.

We designed the main house on this estate a few years ago and were excited to be invited back for this project.

The result is a picturesque cottage which perfectly compliments the main house, using the same combination of red brick and white accents.

This Georgian style country house was designed to have a formal character, reflecting the gentrification and rising affluence which led to the introduction of more formal and varied living accommodation to traditional farm holdings.

Widely used in Ancient Greece the idea of a portico on classical buildings has influenced many design cultures since.

The addition of a portico to this award winning house in Wiltshire adds depth and interest to what could otherwise be a ‘flat’ elevation. The signification of the entrance helps draw the eye visually and practically provides a covered place to stand while the door is opened. Simple, elegant and effective.

Breathing new uses into redundant structures is an important part of ensuring they remain for future generations.

We restored this listed barn and transformed it into additional accommodation for our clients. Key elements of the historic fabric were retained, with new fenestration to replace inappropriate modern glazing, with a new vertical emphasis more in keeping with the barns character.

At the heart of the classical language of architect are the ideas of proportion and symmetry. These drive the elegant looks of buildings designed in this language.

The benefits of the correct use of proportion and symmetry are illustrated nicely by this family home in Wiltshire. Careful balance is needed to create an elegant home and the successful result remains a popular project in our portfolio.

Analysis of a site can tell you a lot of things which can inform and shape the design of a building. Where are the views? Where is the prevailing weather coming from?

The start point of this project in Oxfordshire, as a result of our analysis, was to create a building which sheltered the entrance from the prevailing winds. The exposed site meant that without this, anyone arriving at the house would find it a rather gusty experience. Not the best first impression…

We're pleased to see one of our houses featured in Country Life Property this week.

Penny Churchill spoke to Alex about this family home we designed in Berkshire, to discuss the design thinking behind it.

The property is now for sale through Alex Barton at Strutt & Parker in Newbury.

The first impression of a home should be one of generosity of space, regardless of the size of the house.

If the entrance hall feels spacious and welcoming, even a small house will feel more comfortable as a result. The entrance space of this country house we restored in Wiltshire feels generous as a result of being able to take statement pieces of furniture and by opening into and adjoining space to make it feel bigger than it is.

We talk about craftsmanship a lot in the studio, but is it really that important?

Yes this doorcase would have looked beautiful a simpler frieze, but the extra visual lift the decorative carving here adds changes this from something beautiful, to something truly special. Entirely carved by hand, this is why we cherish craftsmanship so much.

We designed this home in Berkshire to have a striking green oak frame and large amounts of glazing, which when coupled with a reclaimed fireplace and grate create a comfortable space for our client.

This country house is one of our favourites.

The scale is carefully modelled to give maximum floor area for the minimum bulk. The building is broken down into elements to give the impression of a developing language, with subsidiary elements further reducing the perceived size of the building.

Why did we do this? To deliver the space our clients needed, but in a way respectful to the picturesque setting on the edge of a beautiful village. The results speak for themselves.

The inherent beauty of correct proportions can be seen throughout nature, the human body and in classical architecture.

This is well illustrated by the beauty of the Golden Section proportions of this new build country house in Berkshire, balanced with the elegant landscape as part of the driveway approach, centred on a metal sculpture of two dancers.

Classical architecture has an inherent richness to it.

Choosing to build new buildings in this style is something that should not be taken lightly. Without the depth of design and detail, the resulting building can end up looking unconvincing. However, when clients commit to the language of classicism, the results, as at this stunning Wiltshire home, speak for themselves.

We work in a variety of architecture languages from the modern to the classical, but also the vernacular.

This triple gable fronted family home is located in the countryside on the Berkshire/Hampshire border and replaced a unpromising cottage. The vernacular language we employed here responded to the architectural qualities of the original cottage but replaced it with a property befitting its location.