The English country house is a symbol of timeless elegance, and we take great pride in continuing this tradition through thoughtful, well-proportioned designs.

Our work at this house in the South Downs is a modern interpretation of this classic style.

Flint has been a staple of British vernacular architecture for centuries, particularly in the South of England. Whether used in traditional flint-knapped walls or as a striking feature in contemporary builds, this locally sourced, highly durable material adds character and texture.

This Arts and Crafts style home demonstrates the distinctive visual appeal of flint, especially when placed in contrast with brick and stone.

This cottage in Wiltshire is in its final stages, having been transformed from a small outbuilding.

We designed the main house on this estate a few years ago and were excited to be invited back for this project.

The result is a picturesque cottage which perfectly compliments the main house, using the same combination of red brick and white accents.

In 2025 we are 25 years old, so over the year we are going to pick out 25 of our favourite projects from the archive to share with you.

Some are already well known, some less so, but all are special to us for different reasons and we hope you will enjoy this look into the first 25 years of our practice.

Kicking things off is our first ever project. This charming farmhouse was carefully designed to break down its visual mass with the main building formed from rubble stone being supplemented by a rear wing, a rendered service wing and a timber clad garage block.

We designed this home in Berkshire to have a striking green oak frame and large amounts of glazing, which when coupled with a reclaimed fireplace and grate create a comfortable space for our client.

Whilst beautifully rendered watercolour drawings are excellent as presentation drawings, sometimes the artistic qualities of a sketch conveys the idea being discussed and we often produce concept sketches to communicate the interior ambiance and spaces we are designing.

This sketch is of a vaulted kitchen breakfast room as part of the remodelling of a large country house in West Berkshire.

Details make a building and we particularly enjoy the thinking that goes into each and every move we make as part of the design process.

A good example is the window above the porch of this country house we recently remodelled in a Gothic style. The window is divided by a transom to keep the rhythm of the fenestration, but the window itself sits behind, maximising the amount of glazing the window has.

Converting existing buildings is a balancing act of the proposed use with the character of the building.

Introducing new glazing can be particularly tricky, but sometimes the building itself will give you the answer. The large dormer window on this barn conversion in Wiltshire proved the inspiration for two further dormers, greatly increasing the light into the building, without appearing alien in character.

We are lucky to see some very unusual buildings in the course of our conservation work.

You wouldn’t normally expect to find an industrial chimney in the back garden of a mid-1800s country house, but our research discovered an interesting story as to why. The settlement where the house is, was a built for the workers of a lumber mill which was originally steam powered. After three catastrophic fires as a result of embers catching sawdust alight, the chimney was moved further from the engines and into the garden of the mill owner’s house where it remains to this day, now under our watchful eye.

Old buildings often throw up unexpected challenges… For example, how to access the wine cellar of the Grade II* listed Georgian townhouse without compromising the original plan form of the room it is accessed from.

The solution was perhaps more Thunderbirds than George III, but installing a gib door and floor hatch minimise the visual intrusion and negate the need to bisect the space with an alien staircase. Sometimes our conservation work can challenge us, but the opportunity to work out neat solutions like these is why we relish that challenge.

“A bicycle shed is a building; Lincoln Cathedral is a piece of architecture… the term architecture applies only to buildings designed with a view to aesthetic appeal.” Nikolaus Pevsner in the introduction to ‘An Outline of European Architecture’, 1943.

Not every project we get asked to design is grand and large, we often work on smaller projects such as this courtyard building on a country estate in Berkshire.

However, even the humblest buildings we work on still get the same level of care and thoughtfulness of design and attention to detail as the grandest. Careful material choices here of Keymer Tiles handmade clay roof tiles with bonnet hips, oak framing and cladding, and conservation rooflights, coupled with considered design moves including a cupola for ventilation and extra wide carport bays for ease of use elevate this building to something which can hold its own next to a far grander main building.

Not all the conservation projects we work on are listed buildings. Some are on properties like this 1930s thatched country house in North Hampshire.

We are pleased to have recently been granted planning permission for a scheme working on this charming thatched building, taking full advantage of the stunning views from the elevated site.

Along with works to the main house, the scheme also includes a swimming pool with terrace and pool house/outdoor dining room, greenhouse and new entrance sequence.

We’re pleased to have recently gained Listed Building Consent for a scheme of repair and maintenance for this Grade II* Listed Queen Anne gentleman’s residence in the North Wessex Downs. Featured in Country Life Magazine, the building dates back to the early 1700s and we are looking forward to things progressing with this interesting project.