We are lucky to see some very unusual buildings in the course of our conservation work.

You wouldn’t normally expect to find an industrial chimney in the back garden of a mid-1800s country house, but our research discovered an interesting story as to why. The settlement where the house is, was a built for the workers of a lumber mill which was originally steam powered. After three catastrophic fires as a result of embers catching sawdust alight, the chimney was moved further from the engines and into the garden of the mill owner’s house where it remains to this day, now under our watchful eye.

Sometimes working with historic buildings is a puzzle, rarely though is the building itself literally a jigsaw puzzle.

An orangery had stood at this property in the West Country since the Victorian times, however a failed restoration in the 1960s saw the domed timber and glass structure collapse during heavy rain in the mid 1990s. We undertook a feasibility study for a potential purchaser to reinstate the collapsed building using the salvaged timbers.

Just because a home looks traditional, doesn’t mean it can’t be environmentally friendly. The need to consider the impact of buildings on the environment becomes ever more pressing with each passing day

We’re committed to reducing the impact of schemes using a variety of approaches. Like this country house in Wiltshire where a vaulted gallery space on the first floor has the double function of filtering light onto the items within, but also providing passive stack ventilation.

There are different approaches that can be taken when extending a listed building. Alterations can be designed to contrast the historic building or to complement the existing fabric. Careful judgement is required to develop the right strategy for the building and the client.

For this Grade II* listed property in Hampshire, the right solution was to compliment, whilst remaining subservient to the original Queen Anne house.

People often assume windows must be white, but that isn’t the case. There are many historical precedents for windows being coloured, throughout the history of architecture.

This Georgian style property we designed in the Test Valley has its windows, door case and porch painted in a pastel colour. This keeps the joinery feeling light and bright but without the starkness that brilliant white can sometimes bring.

A lot of the pleasure of traditional architecture is the aesthetic pleasure that symmetry and balance of the elevations can bring to the eye. Where buildings are joined to others as part of the same composition, differing ownerships and approaches to maintenance can lead to this balance being upset.

The careful restoration of our Grade II* listed Georgian town house project brought harmony and symmetry back to the building by treating the elevation as a whole piece rather than two separate halves. Elegance is restored.

Seeing the potential in sites can sometimes be difficult, an underwhelming house in the wrong place on the plot can cloud someone’s judgement. We relish the challenge of looking beyond the existing to create a dream property whilst is perfect for the site.

A good example of that is this project in Berkshire we designed which replaced an understated bungalow with a Classical country house. The resulting house is much more suited to the parkland like gardens and sylvan setting of the property.

The drawing room of this Grade II listed Georgian house we have been working on the restoration of in Wiltshire is a very comfortable room. But the glow from the open grate makes it feel even cosier. The relaxed ambiance this creates is something we strive for in our work, a home that puts you at ease in comfortable and reassuring surroundings.

Elegance doesn’t have to mean grandeur.

We strongly believe that buildings can be elegant without having to be ostentatious. A home which looks relaxed will help the family living in it, feel relaxed. An example of how we employ this idea is this metal lattice porch on the front of a new build Regency style home we designed in Wiltshire. The entrance to this classic three bay form is clear and in keeping, without being overtly grand, making the whole building look more comfortable on the village lane on which it sits.

We really enjoy working on barn conversions.

Giving an historic building, now defunct, a new lease of life is a very fulfilling project. The key is not to lose the character. Here is a before and after image of a Grade II Listed barn we converted in Hampshire. The intention was to retain as much of the historic fabric and character of the barn as possible whilst converting the barn into usable residential space. Constructed by the talented team at Moulding The Builder, we think we were successful in retaining the essence of the original building whilst at the same time reinstating lost features such as the double height threshing door openings.

Context is key to a building feeling grounded in its location.

Although inspired by its surroundings, this award winning family home in Wiltshire does not borrow directly from its delightful Georgian neighbours. The design is instead the result of of the application of general principles of Georgian architecture. The outcome is a relaxed and pared-back design which is both comfortable as a modern family home should be, but with the elegance that comes with Classical architecture.

It's good to be green, but being green shouldn't just be the preserve of new buildings, to really get on top of the problem, every building needs to be looked at carefully to see what can be done. If everybody does something, we'll be able to make a big difference. Even listed buildings can play their part.

We've recently gained planning and listed building consent for a program of restoration and upgrade works on a historic country estate in West Sussex. We have been working closely with Martin Thomas Associates M+E consultants, and a key part of the strategy worked out with them, is to introduce renewable technologies for the site. Here are some illustrations of the strategies to be utilised.

Sometimes the success of the new hinges on the past. We incorporate character into our new buildings by using materials specific to the local area, this allows them to sit more comfortably within their surroundings. In this case we used Chilmark stone from Lovell Stone Group, Michelmersh Brick Holdings PLC bricks and local flint.

This new country house in Hampshire was designed to appear as though it had evolved over time. The rear section was designed and details as a vernacular farmhouse, with the front section having a more formal Classical character, reflecting the evolution of many historic farmhouses, where their owners became more affluent and wished to enhance and gentrify their homes.

Another country house, another elegant staircase design.

For this project we designed this beautiful staircase which showcases traditional detailing at its best. The traditional wreathed volute at the end of the oak handrail compliments the single curtail of the bottom step and juxtaposes these traditional Georgian details with more contemporary metal spindles.

First impressions count. First impressions for a home, really count.
The portico of this elegant Grade II* listed town house was in need of some real tender loving care before we started our restoration project. The restored timberwork provides the sort of entrance you would expect and really sets the tone for the beautifully restored interior within.

We are passionate about proportion. Get it right and the elegance it creates is a given, you accept that things look right. Get it wrong and the fact something is amiss is obvious. The Golden Section (or Ratio) is a proportion system we often apply, using the mathematics of nature as described in the Fibonacci sequence, seen throughout nature and in Classical architecture. We used the Golden Section to get the proportions just so for this house in Wiltshire, and we were pleased when it won Best Traditional House in the Daily Telegraph Homebuilding and Renovating Awards The Telegraph.

Even working on historic buildings, sometimes we get a chance to do something really striking, and we love to seize those opportunities!

This historic barn conversion in Wiltshire had views to the South over an Area of Outstanding Natural Beauty and we were able to secure consent for this feature dormer window. Not only did it allow views out, but it also allowed the previously uninhabited roofspace to be flooded with light, transforming the space from dingy loft to a light flooded and airy space.

We feel that when working on listed buildings we have a responsibility to be sensitive to them and their history. Over restoring a building is often as bad as doing nothing at all.

This Georgian townhouse was in a very poor state of repair having been both a hotel and offices for many years. Lots of elements needed repairing, but we had to be careful to do it in such a way that the repairs were not obvious. The craftmanship in this field of Moulding The Builder is evident on this rubbed brick window head and key stone where they have executed our repair scheme in such a way that looking at it now, it simply looks ‘right’ rather than rebuilt.

We consider ourselves very lucky to work on some beautiful barns. A key principle we adopt is to ensure that wherever possible the building keeps its character and still retains a barn like quality rather than that of a regular house.

Our scheme for this Grade II listed barn in Wiltshire carefully exposed the historic timbers in the former hay loft to ensure the buildings history could still be read. Careful placement of elements ensured we could incorporate the office and home cinema the brief required, without compromising the listed structure.

We don't only work in the country; our projects often take us into the town.

This project in a Conservation Area reworked a former car dealership in a pair of Grade II Listed buildings dating back to the late 1700s/early 1800s. The key move was to treat both buildings as separate, removing the unattractive and awkward 1970s single frontage and replacing with two new timber shopfronts more in keeping with the style of the individual buildings.