Flint has been a staple of British vernacular architecture for centuries, particularly in the South of England. Whether used in traditional flint-knapped walls or as a striking feature in contemporary builds, this locally sourced, highly durable material adds character and texture.

This classical country house in Surrey demonstrates the distinctive visual appeal of flint, especially when paired with brick. The single-story flint wing creates an interesting contrast with the adjacent brickwork, enhancing the building’s character and appeal.

Set within idyllic gardens and woodland, this elegant country house in Berkshire was designed to replace a modest 1960s home.

This ‘Queen Anne’ style residence is a modern interpretation of the traditional English country house and features a grand entrance hall, high ceilings and meticulously detailed façades.

This Grade II* listed Georgian townhouse, situated in a historic market town, required extensive external and internal restoration.

Over the past ninety years, the building has undergone various changes of use, resulting in the loss of many historic features.

We therefore undertook a sensitive restoration, carefully repairing the building’s historic fabric, removing the inappropriate modern partitions and reintroducing the elegance befitting the building’s Georgian heritage.

Replacement dwellings can present an exciting opportunity to transform a site and design a new home that responds the character of the local area.

The site of this elegant Georgian-style farmhouse in the Test Valley was previously occupied by an unappealing 1960s/70s house. The new farmhouse has been carefully designed to reflect the local vernacular character and to sit comfortably within this picturesque conservation area. The historic wing at the front of the house has been repaired and now serves as a charming annexe.

Every design we produce is tailored to the site it is to be built on.

This stunning new country house in Hampshire is designed to make the most of its elevated position, with the kitchen featuring large glass windows which provide full, uninterrupted views to the south.

The external materials were carefully selected to harmonise the house with the surrounding landscape, which creates a sense of belonging.

This country house in Wiltshire combines classical elegance with modern functionality, resulting in a living space that honours tradition while embracing modernity. The front of the property is characterised by a formal, stucco-fronted façade that captures the grandeur and symmetry typical of Regency architecture. Well-proportioned windows and an elegant metal-lattice porch enhance the impression of refined sophistication.

For this project in Marlborough, we transformed a pair of Grade II Listed buildings which had previously been used as a car dealership.

We treated the buildings as separate, and replaced the awkward 1970s single frontage with two distinct timber shopfronts.

The new shopfronts were carefully designed to be both visually appealing and more in keeping with the individual styles of these historic buildings.

The English country house is a symbol of timeless elegance, and we take great pride in continuing this tradition through thoughtful, well-proportioned designs.

Our work at this house in the South Downs is a modern interpretation of this classic style.

This Georgian style country house was designed to have a formal character, reflecting the gentrification and rising affluence which led to the introduction of more formal and varied living accommodation to traditional farm holdings.

Widely used in Ancient Greece the idea of a portico on classical buildings has influenced many design cultures since.

The addition of a portico to this award winning house in Wiltshire adds depth and interest to what could otherwise be a ‘flat’ elevation. The signification of the entrance helps draw the eye visually and practically provides a covered place to stand while the door is opened. Simple, elegant and effective.

Breathing new uses into redundant structures is an important part of ensuring they remain for future generations.

We restored this listed barn and transformed it into additional accommodation for our clients. Key elements of the historic fabric were retained, with new fenestration to replace inappropriate modern glazing, with a new vertical emphasis more in keeping with the barns character.

Getting the proportions of a room feeling comfortable sometimes requires lateral thinking.

This extension to a Grade II* listed country house had a low roof, but the size of the room demanded a high ceiling to feel proportionally correct. A large cover and floating central ceiling section add interest and height but disguise the hidden structure behind.

At the heart of the classical language of architect are the ideas of proportion and symmetry. These drive the elegant looks of buildings designed in this language.

The benefits of the correct use of proportion and symmetry are illustrated nicely by this family home in Wiltshire. Careful balance is needed to create an elegant home and the successful result remains a popular project in our portfolio.

Colour can really change our perception of space.

On paper, the ensuite bathroom in the attic of a farmhouse of restoration in Wiltshire might not have looked interesting, but careful detailing and the client’s use of deep colours gives a powerful impact you might not have expected from the plans.

Analysis of a site can tell you a lot of things which can inform and shape the design of a building. Where are the views? Where is the prevailing weather coming from?

The start point of this project in Oxfordshire, as a result of our analysis, was to create a building which sheltered the entrance from the prevailing winds. The exposed site meant that without this, anyone arriving at the house would find it a rather gusty experience. Not the best first impression…

We're pleased to see one of our houses featured in Country Life Property this week.

Penny Churchill spoke to Alex about this family home we designed in Berkshire, to discuss the design thinking behind it.

The property is now for sale through Alex Barton at Strutt & Parker in Newbury.

The first impression of a home should be one of generosity of space, regardless of the size of the house.

If the entrance hall feels spacious and welcoming, even a small house will feel more comfortable as a result. The entrance space of this country house we restored in Wiltshire feels generous as a result of being able to take statement pieces of furniture and by opening into and adjoining space to make it feel bigger than it is.

Some projects just lend themselves to different types of plan form, and we like to explore the possibilities an unusual project can allow.

This classical villa in an urban parkland is an excellent example of this. The main rooms radiate from a central octagonal stair hall and are linked with sweeping curved corridors. The enfillade of the central three spaces acts as a counterpoint to the ‘concealed’ drawing room to the rear which you enter through a journey of discovery.

We talk about craftsmanship a lot in the studio, but is it really that important?

Yes this doorcase would have looked beautiful a simpler frieze, but the extra visual lift the decorative carving here adds changes this from something beautiful, to something truly special. Entirely carved by hand, this is why we cherish craftsmanship so much.

Whilst beautifully rendered watercolour drawings are excellent as presentation drawings, sometimes the artistic qualities of a sketch conveys the idea being discussed and we often produce concept sketches to communicate the interior ambiance and spaces we are designing.

This sketch is of a vaulted kitchen breakfast room as part of the remodelling of a large country house in West Berkshire.