This new farmhouse was designed to appear as if it had evolved over time, combining a mixture of architectural styles. From the front, the house has a formal Georgian character, with large sash windows and an elegant portico. The rear section was designed as a vernacular farmhouse, constructed from distinctive red-brick and flint banding. Similarly, the timber-clad garage was designed to emulate an agricultural outbuilding.

This project involved a comprehensive reimagining of a historic manor estate, transforming both the main house and surrounding courtyard.

The manor itself underwent significant internal reordering to better serve modern living requirements, while respecting its architectural character and historic features. These carefully planned extensions blend seamlessly with the original structure, creating a harmonious connection between old and new. 

The English country house is a symbol of timeless elegance, and we take great pride in continuing this tradition through thoughtful, well-proportioned designs.

At the centre of this arrangement is a simple double-fronted brick-built house reminiscent of an Early Georgian farmhouse.  A rendered wing, articulated in a later Regency style, breaks the formal axial symmetry of the central house. This ‘extension’, along with the timber-framed single-storey garages, adds character, variety and texture.

The site of this classical country home sits within a UNESCO World Heritage Site, a Conservation Area, and an Area of Outstanding Natural Beauty.

We prioritised developing a design that would be sympathetic to the fascinating historic surroundings of which the new house would become a part.

A limited selection of local precedent studies helped to inform particular details of the design, ensuring that the new building would be firmly rooted in its locality, as well as helping to gain the support of the planning and conservation officers.

Clay tiles have been used in British architecture for centuries, offering both durability and classic aesthetic appeal. Whether on a period home or a new-build with traditional character, handmade clay tiles bring warmth, texture, and longevity to a roofscape.

Why we love clay tiles:

• Naturally weather-resistant & long-lasting (100+ years!)

•  Rich, earthy tones that improve with age

• Sustainable—made from natural clay & fully recyclable

Set within idyllic gardens and woodland, this elegant country house in Berkshire was designed to replace a modest 1960s home.

This ‘Queen Anne’ style residence is a modern interpretation of the English country house, and features:

• Grand but welcoming entrance halls

• High ceilings & generous natural light

• Meticulously detailed façades

This country home was built using a mixture of flint, brick and stone to create character and visual appeal.

Flint, which has long been a staple of British vernacular architecture, remains a popular choice for the following reasons:

•  Naturally strong & weather-resistant—ideal for British climates

•  Low-carbon material, sourced directly from local quarries

•  Distinctive visual appeal, especially in contrast with brick & stone

Some of the most elegant homes are built from materials that stand the test of time. Natural stone brings warmth, texture, and durability to a design, and we love incorporating it into our projects.

Bath stone, sourced from a local quarry, was used to create a Doric portico for this classical country house.

The English country house is a symbol of timeless elegance, and we take great pride in continuing this tradition through thoughtful, well-proportioned designs.

Our work at this house in the South Downs is a modern interpretation of this classic style.

This Georgian style country house was designed to have a formal character, reflecting the gentrification and rising affluence which led to the introduction of more formal and varied living accommodation to traditional farm holdings.

Widely used in Ancient Greece the idea of a portico on classical buildings has influenced many design cultures since.

The addition of a portico to this award winning house in Wiltshire adds depth and interest to what could otherwise be a ‘flat’ elevation. The signification of the entrance helps draw the eye visually and practically provides a covered place to stand while the door is opened. Simple, elegant and effective.

Breathing new uses into redundant structures is an important part of ensuring they remain for future generations.

We restored this listed barn and transformed it into additional accommodation for our clients. Key elements of the historic fabric were retained, with new fenestration to replace inappropriate modern glazing, with a new vertical emphasis more in keeping with the barns character.

At the heart of the classical language of architect are the ideas of proportion and symmetry. These drive the elegant looks of buildings designed in this language.

The benefits of the correct use of proportion and symmetry are illustrated nicely by this family home in Wiltshire. Careful balance is needed to create an elegant home and the successful result remains a popular project in our portfolio.

Colour can really change our perception of space.

On paper, the ensuite bathroom in the attic of a farmhouse of restoration in Wiltshire might not have looked interesting, but careful detailing and the client’s use of deep colours gives a powerful impact you might not have expected from the plans.

Analysis of a site can tell you a lot of things which can inform and shape the design of a building. Where are the views? Where is the prevailing weather coming from?

The start point of this project in Oxfordshire, as a result of our analysis, was to create a building which sheltered the entrance from the prevailing winds. The exposed site meant that without this, anyone arriving at the house would find it a rather gusty experience. Not the best first impression…

Long views through a house can draw your view through the building creating a long vista and making a home feel bigger than it really is. This architectural move is called enfilade.

Enfilade has been a device in architecture since the Baroque period and has been employed in a wide range of buildings from the Palace of Versailles to the Sainsbury Wing of the National Gallery to this restored farmhouse in Wiltshire.

We're pleased to see one of our houses featured in Country Life Property this week.

Penny Churchill spoke to Alex about this family home we designed in Berkshire, to discuss the design thinking behind it.

The property is now for sale through Alex Barton at Strutt & Parker in Newbury.

The first impression of a home should be one of generosity of space, regardless of the size of the house.

If the entrance hall feels spacious and welcoming, even a small house will feel more comfortable as a result. The entrance space of this country house we restored in Wiltshire feels generous as a result of being able to take statement pieces of furniture and by opening into and adjoining space to make it feel bigger than it is.

Some projects just lend themselves to different types of plan form, and we like to explore the possibilities an unusual project can allow.

This classical villa in an urban parkland is an excellent example of this. The main rooms radiate from a central octagonal stair hall and are linked with sweeping curved corridors. The enfillade of the central three spaces acts as a counterpoint to the ‘concealed’ drawing room to the rear which you enter through a journey of discovery.

We talk about craftsmanship a lot in the studio, but is it really that important?

Yes this doorcase would have looked beautiful a simpler frieze, but the extra visual lift the decorative carving here adds changes this from something beautiful, to something truly special. Entirely carved by hand, this is why we cherish craftsmanship so much.