Continuing our look back at 25 years of Alex Oliver Associates, we look back today to, perhaps, one of our favourite barn conversions.

By keeping as much of the historic fabric as possible, the converted building still looks and feels like the original, but transformed into comfortable family accommodation.

Converting existing buildings is a balancing act of the proposed use with the character of the building.

Introducing new glazing can be particularly tricky, but sometimes the building itself will give you the answer. The large dormer window on this barn conversion in Wiltshire proved the inspiration for two further dormers, greatly increasing the light into the building, without appearing alien in character.

This Grade II* listed building dates back to the early 1700s and we never tire of visiting site as part of our ongoing design works for the owners of this Queen Anne beauty.

We’ve recently revisited a housing development we designed in Wiltshire, which included a courtyard of new build houses and a bungalow, but also two historic buildings dating back to the 1800s which were outbuildings to a long ago demolished mansion house.

These new homes are restored to the latest standards of insulation and services, but with the character of a bygone age that only an historic building can give.

Our conservation work sees us cross many thresholds, from the humble to the not so humble.

But the great thing about our projects is we get to look round some really interesting listed buildings, from a chocolate box thatched cottage to a castle. These two projects are examples of where we’ve provided strategic early stage advice to potential owners, helping them shape their future plans.

You never know what you will discover when working on historic buildings. The rich tapestry of the past can sometimes throw up some unexpected discoveries.

Sometimes however the discoveries can merely be the result of a simple clean. This building in Wiltshire which we designed an apartment conversion scheme for sits right on the main road. Years of dirt and road grime has built up, obscuring to all but the most eagle eyed the phrase over the door. All it took was a bucket of warm soapy water!

The important thing when converting a barn is to use the fabric of the building to lead the design. That way the resulting property still looks and feels like a barn.

This can throw up some issues with low head heights, strange window positions and unusual corners, but this Grade II listed barn in Hampshire is a good example of the beauty that can be created by being led by what is there. As you can see from the before and after photos it has clearly been converted with softwood shiplap cladding being replaced by a return to traditional feather edged boarding, but is definitely still the same building and still a barn.

The use of crinkle crankle walls, characterised by their undulating or sinusoidal shape, dates back thousands of years, but the term “crinkle crankle” itself was first used in 1598. These walls are known for their distinctive appearance and also offer structural advantages over straight walls of the same thickness.

Most crinkle crankle walls are made of brick, but we were asked a few years ago to undertake a feasibility study on the restoration of this cob crinkle crankle wall, part of a series of cob and brick crinkle crankles surrounding a walled garden in Wiltshire.

Sometimes working with historic buildings is a puzzle, rarely though is the building itself literally a jigsaw puzzle.

An orangery had stood at this property in the West Country since the Victorian times, however a failed restoration in the 1960s saw the domed timber and glass structure collapse during heavy rain in the mid 1990s. We undertook a feasibility study for a potential purchaser to reinstate the collapsed building using the salvaged timbers.

A lot of the pleasure of traditional architecture is the aesthetic pleasure that symmetry and balance of the elevations can bring to the eye. Where buildings are joined to others as part of the same composition, differing ownerships and approaches to maintenance can lead to this balance being upset.

The careful restoration of our Grade II* listed Georgian town house project brought harmony and symmetry back to the building by treating the elevation as a whole piece rather than two separate halves. Elegance is restored.

The drawing room of this Grade II listed Georgian house we have been working on the restoration of in Wiltshire is a very comfortable room. But the glow from the open grate makes it feel even cosier. The relaxed ambiance this creates is something we strive for in our work, a home that puts you at ease in comfortable and reassuring surroundings.

First impressions count. First impressions for a home, really count.
The portico of this elegant Grade II* listed town house was in need of some real tender loving care before we started our restoration project. The restored timberwork provides the sort of entrance you would expect and really sets the tone for the beautifully restored interior within.

We feel that when working on listed buildings we have a responsibility to be sensitive to them and their history. Over restoring a building is often as bad as doing nothing at all.

This Georgian townhouse was in a very poor state of repair having been both a hotel and offices for many years. Lots of elements needed repairing, but we had to be careful to do it in such a way that the repairs were not obvious. The craftmanship in this field of Moulding The Builder is evident on this rubbed brick window head and key stone where they have executed our repair scheme in such a way that looking at it now, it simply looks ‘right’ rather than rebuilt.

We don't only work in the country; our projects often take us into the town.

This project in a Conservation Area reworked a former car dealership in a pair of Grade II Listed buildings dating back to the late 1700s/early 1800s. The key move was to treat both buildings as separate, removing the unattractive and awkward 1970s single frontage and replacing with two new timber shopfronts more in keeping with the style of the individual buildings.

Our conservation expertise mean we are privileged to get invited to visit some amazing buildings which aren’t open to the public and see ‘through the keyhole’.

Case in point, this Grade I listed castle from the 1840s. We were appointed in an advisory role by potential purchasers to inspect the condition of the building and examine the feasibility of reconstructing a lost orangery building. We often get involved with properties during a purchase or sale and being involved at an early stage allows us to develop a thorough understanding of both the project and the client brief and requirements.

Sometimes things which were never supposed to be seen, reveal themselves during the course of our work on historic buildings. Carefully incorporating these features into our work gives an opportunity to celebrate the inherent beauty of this kind of vernacular detail.

In this case while undertaking conversion works to an historic barn in the Vale of Pewsey, we uncovered a series of roof trusses, which we subsequently exposed and incorporated into the spaces we created within the roofspace. Historic notches from previous configurations add to the narrative of the history of the building and this layer of history is now able to be appreciated, rather than hidden away in a dusty loft.

Our conservation work gives us the opportunity to visit lots of interesting historic structures and, these can range from the humble to the imposing. It is unusual to find that juxtaposition in one project, but here is a hand drawn elevation of a complex of buildings we assessed for a Condition Survey where we found just that.

It is always nice to have a project you can walk to from the office, in this case a scheme for eleven new homes to enable the restoration of a set of Grade II Listed buildings within a Conservation Area as five apartments.

After careful negotiation and working collaboratively with the Local Planning Authority, to overcome planning and conservation officers initial concerns, over a period of sixteen months, we were granted consent by the Planning Committee for a scheme which takes on board and addresses any concerns officers had, provides much needed new housing and secures the future of at risk heritage buildings.

We’re pleased to have recently gained Listed Building Consent for a scheme of repair and maintenance for this Grade II* Listed Queen Anne gentleman’s residence in the North Wessex Downs. Featured in Country Life Magazine, the building dates back to the early 1700s and we are looking forward to things progressing with this interesting project.

We have a passion for old buildings and are lucky enough to work on lots of interesting pieces of historic architecture. We always base our schemes on thorough historic research, such as this report recently completed by our very own Gemma Kingsbury on the former Harris Bacon Factory Social Club in Calne.

We also like to share our knowledge, so we've lodged a copy of the three volumes we produced at the Calne Heritage Centre for future reference by all.